Okay, we get it. The Internet–more like Twitter, actually–has become some sort of a public online diary for many. People on this app have gone from sharing some tidbits of their day, to sharing TMIs, to all out trauma dumping on others
At the same time, people have been using Tweets as a way to boost a hashtag’s engagement or to promote their idols’ current projects. K-Pop stans are quite infamous for this one, where they’d include their faves to almost any tweet imaginable. Though this doesn’t necessarily talk about the K-Pop stan community as a whole, it’s just…a little eyebrow-raising to say the least.
Here are a few examples of questionable K-pop stan interactions on Twitter:
LETS HAVE SOME DECORUM???? pic.twitter.com/yqG67nt9us
— finn (@yujinlovi) July 9, 2023
https://twitter.com/monukoo/status/1480469716107993090?s=20
yall wanted #real tmi from kpop idols so bad that now we got sanhwa going back and forth oversharing about the seonghwa ass chronicles
— seonghwaism (@hwalilac) January 30, 2023
i just think its funny the person who condescendingly told me i overshare too much on here and care too much about kpop once tweeted about … finishing … from a kpop mv 💀 im not saying that makes my oversharing okay but pls look in the mirror first
— des 🐹 (@xerosweb) June 3, 2023
https://twitter.com/23luvr/status/1676091976687529988?s=20
nmixx has got to be one of the most unserious kpop groups ever like 😭😭 lily always trending for her lives & pms, bae for her funny interactions w nswers & now this HDJDJJW https://t.co/WmLfGq0FzF
— cee ʚïɞ (@gfrdcafes) June 1, 2023
kpop struggle tweets pic.twitter.com/WRJCbGChIS
— m (@ksgparks) February 11, 2021
@ kpop struggle tweets pic.twitter.com/NNxOS0AoH8
— akutami jiejie (@yvvtas) June 23, 2022
can you teach me English so I can talk to you
— NCT 127 (@NCTsmtown_127) September 29, 2018
Other POP! stories that you might like:
Two of Jungkook’s Soundcloud-exclusive songs now available on other streaming platforms
Here’s another (sort of) detailed timeline of what’s been going on with FIFTY FIFTY (PT. 2)