About POP!

POP! is INQUIRER.net’s premier pop culture channel, delivering the latest news in the realm of pop culture, internet culture, social issues, and everything fun, weird, and wired. It is also home to POP! Sessions and POP! Hangout,
OG online entertainment programs in the
Philippines (streaming since 2015).

As the go-to destination for all things ‘in the now’, POP! features and curates the best relevant content for its young audience. It is also a strong advocate of fairness and truth in storytelling.

POP! is operated by INQUIRER.net’s award-winning native advertising team, BrandRoom.

Contact Us

Email us at [email protected]

Address

MRP Building, Mola Corner Pasong Tirad Streets, Brgy La Paz, Makati City

Girl in a jacket

5 Intriguing Thoughts Presented in the Socially-Relevant Film “24 Weeks”

Anne Zohra Berrached’s 24 Weeks (24 Wochen), tells the dilemma of Astrid Lorenz, a standup comedian and expectant mother whose almost-perfect life with her husband Markus and nine-year old daughter Nele turns upside-down when pregnancy complications forces her to consider abortion.

(Warning: This article discusses some elements of the film — may contain spoilers.)

24 Weeks presents an emotional and socially-relevant drama that left us with several thoughts to ponder on:

Mother 24 Weeks
© Berlinale Webpage

1. Mercy killing or ruthless living?
Astrid and Markus initially decided to pursue the pregnancy, but Astrid started having doubts when they found out that apart from having Down Syndrome, their unborn child has heart defects and needs to undergo intensive surgeries as soon as he’s born. 24 Weeks explores the idea that abortion may not be as bad as people think it is, if only to prevent an unborn child from living a life full of suffering.

24 Weeks Astrid and Markus
© Berlinale Webpage

2. To terminate a pregnancy or not: a moral dilemma
The morality of abortion has always been the subject of debate. While some would defend that it’s considered murder, others would counter that abortion, in certain cases, is a way to free a child from a painful life ahead of them. Astrid weighs whether to let go of her child or proceed with the pregnancy knowing what the future that awaits her child.

Markus and Nele 24 Weeks
© Berlinale Webpage

3. The social pressure on women, particularly on mothers
Mothers tend to be judged for their parenting and decision-making. Whether they are excellent at it or not, some people will always have something to say. While the decision regarding her pregnancy inevitably lies with her, social pressure, her family, and her beliefs, made her decision all the more difficult.

Astrid and her mom 24 Weeks
© Berlinale Webpage

4. Fame indeed has its price
Being a celebrity means that Astrid’s pregnancy became part of media chatter; there’s always a spotlight on, whatever decision she makes. Fans, as well as mothers of disabled and seriously ill newborns, encouraged her and praised her for being strong, though this only made her inevitable decision more difficult.

Astrid and Markus 24 Weeks
© Berlinale Webpage

5. Women’s rights to consider their pregnancy options
One of the film’s goals is to present viewers the idea that women have the right to consider options on their pregnancy and not get judged for it. In Germany, late-term abortions are allowed when disabilities are involved — making it possible for Astrid to end her pregnancy even at six months. However, in most countries like ours, abortion at any stage is considered illegal.

24 Weeks (24 Wochen) was screened at Ayala Malls Cinemas in Glorietta 4 and Trinoma during the German Film Week’s run on September 22-27. Check out www.sureseats.com and Goethe Institut’s official website and Facebook page for more details.

About Author

Related Stories

Your subscription could not be saved. Please try again.
Your subscription has been successful.

Subscribe to our newsletter!

By providing an email address. I agree to the Terms of Use and acknowledge that I have read the Privacy Policy.

Popping on POP!