Creative, expressive, passionate
A young songwriter from Davao, Chud Festejo has a curious opinion for the popular children’s clapping game Nanay, Tatay. Why does the chant make the children sound demanding?Convinced that there is a bigger reality to be addressed, he started writing a song that will then win the hearts of the judges and the crowd of PhilPop 2018. Nanay Tatay, written and performed by Festejo, was the winning piece that hailed him the Grand Champion among the ten finalists who competed during PhilPop Finals Night 2018
on December 2, 2018 held in Capitol Commons, Pasig City.
“Of course, happy. Kahit na sa 30 songs, andaming magagaling. Ngayon, I still can’t explain how I feel,” Festejo shares, acknowledging the tough competitors he had during the contest run. Festejo won the grand prize of P1 Million Pesos.
Nanay Tatay is a song that talks of the “innocence and vulnerability” of child beggars— naive of the world they live in, and susceptible to the harm society might inflict to them. The song gives off a dark feeling, arranged with an eerie “horror” scoring combined with a horrendous social situation for a message. “Kinonek ko ‘yong horror na feeling and ‘yong social situation na nakakatakot ‘pag nandoon ka,” Festejo says.
“Hindi sya sung usual eh. Andaming mga strong performances. But the performance (of Nancy Tatay) was still really strong, as in I got teary-eyed listening to it. It was a sure won for me. I was happy na, apparently a lot of people like it.” Veteran artist and composer Ms. Trina Belamide, who is among the roster of judges, expressed her delight with the result.
Nanay Tatay also won the Maynilad Best Music Video with the direction of Ryan Evangelista.
The 1st Runner Up for the competition was Ferdinand Aragon, with his love song ‘Di Ko Man, which he, too, himself interpreted. The song, written in Bisaya, is a “contemporary harana”. As Aragon explains, “I just wanted to write a Bisaya song that people can use to sing to their loved ones. They can use it in their weddings, so the song really is a very pure and innocent love song.”
As for 2nd Runner Up Jek Buenafe, the experience can be only described in one word: “surreal.” His composition “Ako Ako” was interpreted by his own band, Feel Day, featuring Hans Dimayuga.
Aragon and Buenafe received P500,000 and P200,000, respectively. On the other hand, ‘Yun Tayo’s songwriter Donna Onilongo, along with interpreterGracenote, bagged the Smart People’s Choice Award.
Selected by the Pros
Prior the event, a pool of distinguished and most respected songwriters, music educators, and practitioners rated the quality of melody, lyrics, lyric production, and overall brilliance of the compositions that constitute 40% of the scores. The other 60% was determined by the ratings given by the competition’s distinguished judges, by the following criteria: (1) excellent craftsmanship in lyrics, melody, production, and performance, and (2) unique qualities and universal appeal to create masterpieces that can stand the test of time.
The roster of judges include Mr. Verb Del Rosario, Vice President for Viva South; Ms. Trina Belamide, artist and veteran composer; Ms. Liza Diño-Seguerra, Chairperson of the Film Development Council of the Philippines; Mr. Randy Estrellado, COO of Maynilad; Mr. Noel Cabangon, PhilPop Board Member; Mr. Paolo Guico, Vocalist of Ben & Ben; and Mr. Ryan Cayabyab, PhilPop Music Festival 2018 Chairman.
The passionate effort of the country’s circle of musical personas in selecting the rightful winners is what makes Philpop 2018 stay true to its promise of bringing out the next best artists in the OPM scene. Mr. Noel Cabangon shared how the judges go through the process of deciding which the best. “Ang music kasi very subjective. Meron ka dyang tinitingnan, like ‘yung craftsmanship, ‘yung paggawa ng kanta, ‘yung lyrics, and then kung bagay ba ‘yung music, and of course ‘yung performance din, sa live performance. But on the overall, syempre pag nagjajudge ka, ano ‘yung tama sayo, ‘yung dating sayo nung kabuuan ng music. Kasi ang music naman, una, bago natin intindihin yung lyrics, pinapakiramdaman natin ‘yung music. And then saka natin binabalikan ‘yung lyrics. And then of course you analyze it, tapos makikita mo naman kung pano nagdedevelop ‘yung
melody doon sa kanyang story telling.”
A Festival of Linguistic Diversity in Music
One remarkable thing that made PhilPop 2018 exceptional is opening its doors to regional music. PhilPop 2018 has defined the beautiful diversity of the OPM genre—recognizing musical masterpieces written in varied dialects like Bisaya and Hiligaynon, and marking the expansion of opportunity for musical artists from different parts of the country to be heard and appreciated.
“It’s really something big [for the regional music scene]. Hopefully maging signal sa mag nagsusulat din na may sariling style from different regions na PhilPop is open talaga. If you’re a Pinoy, you can submit a song. ‘Di naman kailangang yung nasa isip palagi yung Imperial Manila, yun kasi nasa mindset mostly ng mga tao. Open young PhilPop, they give a chance,” Chud Festejo, the Grand Winner from Davao, affirms.
“This is a significant year for PhilPop. The foundation has created bold statements this year, from empowering regional songwriters to join the competition to dispelling the old format that star power is required for a winning song. We have a relatively unknown but talented songwriter from Davao who won the competition, and who was a product of the
PhilPop Songwriting Boot camp in Davao in 2017.” PhilPop Executive Director Dinah Remolacio proudly states the vision of PhilPop to uplift regional music.
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PhilPop is yet on its 7th year of an unending legacy of enriching OPM. Moving forward, aspiring songwriters can continue making their dreams come true with PhilPop, as they are still up for greater actions in the years to come.
“Definitely, the Songwriting Boot Camp will push through in 2019 that will prepare us for the big 2020 music festival again. It’s gonna be every two years,” PhilPop Executive Director Dinah Remolacio assures.
PhilPop 2018 is an initiative of the PhilPop Music Foundation, chaired by Mr. Manny V. Pangilinan. This year’s PhilPop is co-presented by MAYNILAD, and is supported by
MERALCO (major sponsor), Mid Atlantic Foundation for Asian Artists, Inc., NYXSYS (official OOH partner), SMART, VIVA Records (official record label partner), Ortigas and
Co., PETA (production partner), Coke Studio, NCCA, OPM, TAGA-ALOG, Rappler (official media partner), Pinnacle (official agency integrator partner), and Gabi Na Naman
Productions (official promo partner).
ADVT