In “The Raven,” when a madman begins committing horrific murders inspired by Edgar Allan Poe’s darkest works, young Baltimore detective. Emmett Fields (Evans) joins forces with Poe (Cusack) in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality. A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve) becomes the next target.
Evans talks about “The Raven” in the following interview:
Luke Evans: Well what’s great about when you do something that has an essence of history or factual evidence or anything like that, which this movie does, even though it’s a fictionalized story of the last five days of his life, they are talking about a real person. There is so much information and fantastic biographies out there on Poe, and obviously his work. So I had plenty of reference.
Q: Talk a little bit about working with John Cusack. Did you guys develop a rapport off set? Were you able to enjoy hanging out?
Q: One of the things I admire about the film is there is some blood and guts, especially with the fact the Poe wrote a lot of pulp, he was a blood and guts guy. Are you happy that the rating is an R and that they are not shying away from blood in the film?
Q: Can you talk about, with your character, how much changed, if anything, from when you first got involved to what audiences are going to be able to see on screen?
Evans: Not a huge amount changed. I think the only thing that might have changed slightly during was just the emotional journey that my character took and where we took him. Myself and the director, James McTeigue, talked an awful lot about how his character is juxtapositioned against the Poe character, and how one is still a straight man and who’s trying to keep the crazed, incensed Poe character on the straight and narrow, trying to keep him from losing it and not being able to be an asset to finding this killer. After that, I don’t think the script changed a huge amount while we were working on it. Obviously as the film goes on your character develops and sometimes things need to be tweaked and certain lines don’t really benefit the character anymore, so yeah they will sort of edit as we were going along, but nothing crazy.
Q: In the last few years your career has taken a huge trajectory upwards, being in a lot of high profile projects, can you talk a little about what it’s been like for you?