On the planet, the team meets a survivor of a civilization in control of some very dangerous elements, including various forms of biology and biomechanics, which in a heartbeat can eviscerate its victim, or worse. “This brings us to the question,” says Scott, “what are the consequences of meeting a superior being, whose capabilities are quantum leaps beyond one’s own, and are in effect god-like?”
Or put another way: Maybe there are some things best left unexplored.
“The film’s central metaphor is about the Greek Titan Prometheus, who defies the gods by giving humans the gift of fire, for which he is horribly punished,” Scott explains. “When you talk about the myth on which the title is based, you’re dealing with humankind’s relationship with the gods – the beings who created us – and what happens when we defy them.”
The team of scientists and explorers aboard the Prometheus are on a journey to discover answers to some of life’s most profound questions. Two brilliant young scientists, Shaw (Noomi Rapace) and Holloway (Logan Marshall-Green) possessing contrasting motivations, lead the expedition. Shaw is a believer: she wants to meet these “gods” as a way of getting closer to her more traditional religious views, while Holloway is looking to debunk these kinds of spiritual notions. In their work as archeologists, they have discovered clues in cave pictograms from ancient civilizations across the world, all of which point to the same location in distant space, and have persuaded a corporation, Weyland Industries, to fund the mission.
“Shaw is the heart of the search; Holloway is the guts,” adds Marshall-Green. “I think Holloway is searching for answers to these huge questions because he’s always pushing the envelope. He goes to the extreme in everything he does, sometimes for the better, sometimes for the worse of the team. I think what drives him is the thrill of the search.”
Vickers’ cold efficiency might be characterized as machine-like, but another crewmember, David, portrayed by Michael Fassbender, is, literally, a machine – an android creation of the corporation. While David possesses extraordinary intelligence and other capabilities, his principal tasks on the Prometheus, says Scott, are servile. “He’s basically the ship’s housekeeper, keeping an eye on everything while the human crew is in suspended animation.”
Every ship needs a good captain, and Prometheus is no different. Step forward then, Idris Elba as Captain Janek, the commander of the ship that provides Ridley Scott’s sci-fi blockbuster with its name. Janek, the captain of the Prometheus, is described by Scott as an “old sea dog” – an officer in the classic tradition, and an alpha male whose primary mission is to protect the ship and its crew. His ambitions and vocation provide a sharp contrast to the heady goals of Shaw and Holloway and the venal corporate interests of Vickers. Elba describes Janek as “a longshoreman and a sailor. It’s his life and the crew is his responsibility. Ultimately, he makes a huge decision that sums him up as a man.”
“Prometheus” in 3D – defying expectations in cinemas nationwide on June 7 from 20th Century Fox to be distributed by Warner Bros. in Phils.