“I was very lucky because the project was quite far along in its casting when I came around,” Dafoe explains. “I was in Los Angeles, where I rarely am because I don’t live there. I knew Andrew was meeting with people for `John Carter’ and since I had worked with him before and was aware of the project, I said that I’d like to have a meeting with him. And he showed me some of the art. When I read the script, I got excited. I said, ‘Listen, you want me to play a Thark, I’ll play a Thark. I would love that. I would love the physical challenges.’
“My character, Tars Tarkas, is the head of a warrior tribe called the Tharks,” he explains. “They are very tall, green-skinned Martians with four arms and tusks. There’s a feeling that their culture is in decline; they were once a great society and now they’ve been reduced to being a nomadic, warlike society, moving from place to place to survive. There’s a feeling of sadness and lost empire to them and it very much informs who Tars Tarkas is. The Thark culture is brutal, primitive and warrior-like, but it hasn’t always been. Tars remembers a more refined, civilized past. He secretly yearns for those days and for a more humane society. He knows there’s got to be a better way than how they’re surviving now.”
The challenge for Dafoe and the other actors playing Tharks was to convey the depth and feeling of their performances while adapting to the technological and physical realities of performing in this particular project. Dafoe and his fellows Tharks spent their time on set dressed in gray jumpsuits covered in black dots and on stilts. They also wore helmets with cameras mounted on them; the cameras were pointed at their faces at all times to capture their expressions. “This film had lots of challenges, not only because of the stilts, but some of the gestural language and the fact that we had to learn a Martian language for part of it,” Dafoe says.
Dafoe is also a huge fan of the story that Edgar Rice Burroughs created (from which the film was based) back in 1912 and believes that it has stood the test of time extremely well. “This is a very well imagined world that Edgar Rice Burroughs has created,” he says. “It’s got all the attraction of that imagination plus pure fantasy. The story he tells really is very evocative, the characters are so well drawn and it puts forth some questions about society and how we conduct ourselves. It asks what our ambitions are and what we’re willing to sacrifice. It’s rich material.
“I can imagine that the film will work for a very broad audience. It works on lots of different levels because it’s complex, it’s dense and it’s very detailed. One of the biggest pleasures in doing this project is to work with someone like Andrew Stanton who works on this scale, on a story that has popular appeal but doesn’t pander. ‘John Carter’ was created from a very personal place,” Dafoe concludes.
Opening across the Philippines on March 9 in IMAX 3D, Digital 3D and regular theatres, “John Carter” is distributed by Walt Disney Studios Motion Pictures International through Columbia Pictures.